Key Words: Polyphony, Discourse,Voice, Dialogue, Bakhtin

Table of Contents:

Dedication. i

Acknowledgement: ii

Abstract iii

Table of Contents. iv

CHAPTER ONE

INTRODUCTION.. 1

1.1. General Overview.. 1

1.2. Statement of the Problem.. 6

1.3. Objectives and Significance of the Study. 9

1.3.1. Significance of the Study. 9

1.3.2. Purpose of the Study. 9

1.3.3. Research Questions. 10

1.4. Review of literature. 10

1.5. Materials and Methodology. 18

1.5.1. Definition of Key Terms. 18

1.6. Organization of the Study. 21

CHAPTER TWO

این مطلب را هم بخوانید :

2.1. Toward a Philosophy of the Act 24

2.1.1. Self and other 25

2.2. Problems of Dostoevsky’s Poetics. 27

2.2.1. Polyphony. 28

2.3. Carnival in Dostoevsky and Rabelais. 33

2.4. The Dialogic Imagination. 40

2.4.1. Dialogism.. 41

2.4.2. Heteroglossia. 44

2.4.3. Hybridization. 48

2.4.4. Chronotope. 50

CHAPTER THREE

SNOWWHITE; THE POSTMODERN FAIRY TALE.. Error! Bookmark not defined.

3.1. Barthelme’s Art of Story-Telling. 53

3.1.2. Barthelme and Postmodernism.. 57

3.1.3. Disregard of Conventionality. 59

3.2. Why Bakhtin?. 72

CHAPTER FOUR

SNOW WHITE; A DIALOGIC CONSTRUCT. 78

4.1. Barthelme’s Dialogic Enterprise. 80

4.1.1. Artistic Representation of Language. 80

4.1.2. Multiplicity of Voices. 84

4.1.3. Multiplicity of Discourses. 86

4.1.4. Multiplicity of Documents. 92

4.1.5. Other Dialogic Techniques. 100

4.1.6. The Carnivalesque. 104

CHAPTER FIVE

CONCLUSION.. 109

5.1. Summing Up. 109

5.2. Findings. 118

5.3. Suggestions for Further Research. 120

Bibliography. 124

CHAPTER ONE

INTRODUCTION